Banca de DEFESA: BRUNO OLIVEIRA SANTOS

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : BRUNO OLIVEIRA SANTOS
DATA : 20/04/2020
HORA: 09:00
LOCAL: CPF-SEDE-METAPRESENCIAL
TÍTULO:

Belly dance in Helvécia in Southern Bahia: performances, stories and resistance in the process of social formation in the Extreme South of Bahia.

PALAVRAS-CHAVES:

Rio do Sul. Cultural pratice. Belly dance. Performance.

PÁGINAS: 40
GRANDE ÁREA: Ciências Humanas
ÁREA: Educação
SUBÁREA: Ensino-Aprendizagem
RESUMO:

This research work consists of a scientific study of belly dance performance and its strength in translating experiences into educational acts historically. A belly dance performance is a driving force that adds to it the repertoire of an-cestry gathered by the community's ancestors and preserved daily by them. The act of hitting one belly on the other is the symbol of the northern region of all dance and renews the content for the continuation of the dialogue between historical past and the present that it faces as daily struggles with a view to the future. Rio do Sul is a rural community in the district of Helvécia - Nova Viçosa, which has its origins in the agricultural enterprises of Colonia Leopoldina - 1808 (SANTOS, 2017), which uses African and Afro-Brazilian labor with a slavery regime to sustain as an economic pole at the time. In this sense, we aim to understand how belly dancers perceive readers and cultural individuals in their own social practice; analyze a belly dance performance as a social practice of Afro-Brazilian culture and, therefore, an educational act; study belly dance in Rio do Sul, as an educational-social training practice that has gone through as experienced and used by the community. We seek to answer the following question: How to practice Afro-Brazilian dance, an Afro-Brazilian practice in the rural community of Rio do Sul, to contribute to the strengthening of interpersonal relationships among residents? The type of research used in this work is a qualitative social approach in Minayo (2009). The theoretical an-chor is composed by Paulo Freire (1995), Brandão (1985), Schechner (2003), Fanon (2008), Geertz (1989), Santos (2007; 2017). The results pointed out for belly dancing is a cultural practice that is not intertwined in any context, in those that perform and, for this reason, reorganize the daily life of social rela-tions. Its performance, the symbolic act of hitting one belly on the other, con-firms the educational character of the dance and maintains an effective dia-logue between the variations.

MEMBROS DA BANCA:
Presidente - 1148004 - FRANCISCO ANTONIO NUNES NETO
Interno - 362.976.075-91 - LÚCIA DE FÁTIMA OLIVEIRA DE JESUS - UNEB
Externo à Instituição - VALDIR NUNES DOS SANTOS - UNEB