DRAG ART AS A TECHNOLOGY TO COMBAT CISGENERITY AND WHITENESS
autoethnography, intersectionality, DRAG, LGBTQIA+, migration
The main objective of this academic investigation is to create an educational product in
web-documentary/virtual platform from records and documentation of a set of actions
arts, through which a reflection will be made on how regimes of domination, specifically whiteness and
cisgenderness, are present and act within the artistic production itself. As a methodology, I
of autoethnographic and intersectional perspectives, situating and contextualizing, in this way, the studies
here present inside my experiences as a migrant-artist-of-non-conforming-precarious genre.
This set of artistic actions focuses on practices of thinking and doing DRAG, from an ethnic-racial perspective,
through which it is possible to generate the transmission of dissident knowledge and knowledge that confront and
deconstruct the disciplinary, normative and civilizing roots of the artistic-educational contexts of
trans-hating Eurocentric matrix.